
12 B-CONTROL DEEJAY BCD3000 User Manual
The ANALOG INPUT A (36) is switchable between the microphone signal and
PHONO A. This can be done the following ways:
• Via MIDI Program Change command (see Table 6.7)
• In Windows XP, via the tab “ASIO” or “WDM/MME” in Control Panel
5.4 Signal routing
With the USB interface, you can record and play back up to four audio signals
simultaneously. The signal routing is specied by the settings of the applied
software (for example, TRAKTOR 3 LE), Control Panel and the state of the buttons
on the device.
In Windows, the possibilities of signal routing depend on the chosen driver
(ASIOor WDM/MME).
5.4.1 Routing possibilities with the ASIO
driver(Windows)
STANDARD Mode:
If “STANDARD” is selected in the GLOBAL MODE of Control Panel, only the input
signals can be selected. The output assignment is precongured. The software
outputs 1-2 are routed to the MASTER OUTPUT (39) (rear panel) and the software
outputs 3-4 are routed to the PHONES output (14) (front panel). Usually, it is
recommended to use the STANDARD mode, which is also the case when using the
TRAKTOR 3 LE software.
BCD3000
Hardware
BCD3000
Hardware
Windows Software
MIC IN
IN A (PHONO)
IN B
PHONO
LINE
MIC
PHONO A
IN A
CH 1-2
CH-3-4
MASTER OUT
PHONES OUT
CH 1-2
CH-3-4
ASIO
Windows Driver
ASIO
Windows Driver
CONTROL PANEL
Windows Software
OUT
IN
CONTROL PANEL
Fig. 5.3: Audio routing in STANDARD mode (ASIO driver)
Advanced Mode:
In Advanced mode, all parameters of the ASIO driver can be adjusted.
InControlPanel, you can select the input source for channel IN A (CH 1-2, Micor
PhonoA). The input source for IN B (CH 3-4, Phono or Line) is selected with
the PHONO/LINE switch (38) on the rear panel of the BCD3000. The playback
channels CH1-2or CH3-4 are also selected in Control Panel for the main outputs
(39) and the headphone output (14) (in the MASTER OUT and PHONESOUT
elds). If you assign the software output channels 1-2 to the headphone
output, thechannels 3-4 are automatically assigned to the MASTER OUTPUT,
and vice versa.
MIC IN
IN A (PHONO)
IN B
PHONO
LINE
MIC
PHONO A
CH 1-2
CH-3-4
CH 1-2
CH 3-4
CH 1-2
CH 3-4
MAST OUT
PHNS OUT
PHONES OUT
CH 1-2
CH 3-4
IN A
BCD3000
Hardware
BCD3000
Hardware
Windows Software
ASIO
Windows Driver
ASIO
Windows Driver
CONTROL PANEL
Windows Software
OUT
IN
CONTROL PANEL
MASTER OUT
Fig. 5.4: Audio routing in Advanced Mode (ASIO)
5.4.2 Routing possibilities with the WDM/MME
driver(Windows)
The WDM/MME driver supports playback/recording of 2 audio signals.
For2-channel recording you can select input IN A or IN B in the WDM/MME
window of the control panel. When you choose IN A, you can also determine the
signal to be recorded (Phono A or MIC).
When you select IN B, you can use the PHONE/LINE switch to determine the
signal to be recorded (phono or line).
Playback with the WDM/MME driver is always in stereo, which is why the MASTER
output and the PHONES connector of the BCD3000 provide the same music signal.
MASTER OUTSTEREO
(CH 1-2)
PHONES OUT
MIC IN
IN A (PHONO)
IN B
PHONO
LINE
MIC
PHONO A
IN A
IN B
REC
SELECT
STEREO
(CH 1-2)
BCD3000
Hardware
BCD3000
Hardware
Windows Software
WDM/MME
Windows Driver
WDM/MME
Windows Driver
CONTROL PANEL
Windows Software
OUT
IN
CONTROL PANEL
Fig. 5.5: Audio routing with the WDM/MME driver
5.4.3 Routing possibilities (Mac OS X)
With Mac, the BCD3000 always runs in the “STANDARD” mode, which means
that only the input signals can be congured. For channel IN A, you can assign
Mic or Phono A with MIDI commands in an appropriate software (seeTable6.7).
Theinput source for IN B (CH 3-4, Phono or Line) is selected with the
PHONO/LINE switch (38) on the rear panel of the BCD3000.
The output assignment is precongured. The software outputs 1-2 are routed to
the MASTER OUTPUT (39) (rear panel) and the software outputs 3-4 are routed to
the PHONES output (14) (front panel).
MIC IN
IN A (PHONO)
IN B
PHONO
LINE
MIC
PHONO A
Prog Chg 0
Prog Chg 1
CH 1-2
CH-3-4
MASTER OUT
PHONES OUT
CH 1-2
CH-3-4
BCD3000
Hardware
BCD3000
Hardware
Mac OS X
Core Audio
Mac OS X
Core Audio
Mac OS X
OUT
IN
MIDI COMMAND
Fig. 5.6: Audio routing on the Mac
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